“We are surrounded by places. We walk over and through them. We live in places, relate to others in them, die in them. Nothing we do is unplaced. How could it be otherwise? How could we fail to recognize this primal fact?” — Edward S. Casey, The Fate of Place: A Philosophical History.
The power of place shapes students' thoughts, feelings, values, and actions; it influences who they are and plays a critical role in what they may become. Place-Based Learning, a specialization of Project Based Learning, is a pedagogy grounded in the power of place and creates in students a sense of connectedness to their spaces. David Greenwood reminds us that “[p]laces are perceived very differently by different cultural groups who hold different ways of being and knowing. Coming to know a place, therefore, means learning the diverse and competing stories told about it. A critical pedagogy of place is concerned not just with the dominant story but with all the stories at risk of being silenced or erased, including the voice of the land itself” (Greenwood 2013, pp. 98-99). Place-Based Learning is a powerful way to connect to the values and cultures represented in the community, resulting in a shift from the dominant narrative by uncovering the counter-narratives of a place. For example, in the PBLWorks project Urban Visions, in order for students to develop a sustainability plan for their community they must first come to explore the ways people traditionally used the land they occupy, the history of the land told from the non-dominant perspective, and the ways people currently care for their places using cultural knowledge and skills. Uncovering the stories of the past to understand the present is a critical aspect of Place-Based Learning; the fact that students are researching their own communities builds authenticity, an essential element of project-based learning.
In the “Power of Place” exhibition at the Smithsonian’s National Museum of African American History and Culture in Washington, DC, visitors learn that place is not just about geography, “...but also about memory and imagination. People make places even as places change people. Places are secured by individual and collective struggle and spirit. Place is about movement and migration and dis-placement. Place is where culture is made, where traditions and histories are kept and lost, and where identities are created, tested, and reshaped over time.” Because students at each school live in proximity to one another and inhabit the same places and spaces, the work they do in school should authentically allow them to uncover, recover, and tell their place stories. Authenticity is a Gold Standard Project Design Element and is what elevates a project to transformative—for students, schools, and communities. This is at the heart of Place-Based learning. The exhibition highlights “place stories,” and each story “...provides intimate views into distinct moments of the African American experience. They reflect the resiliency of African Americans in making places for themselves and overcoming the challenges they faced. Thematically, chronologically, and regionally diverse, together these cultural landscapes offer a sweeping view of American history through an African American lens” (Smith 2022).
Micki is passionate about PBL as a way of meeting the needs of all learners and how PBL promotes educational equity. She strongly believes that well designed projects helps all students build confidence, learn how to advocate for self and others, discover purpose and talent and grow their voice, as they realize how they can make a difference in the world.
Erin Sanchez has spent the past 22 years working as a high school and continuing education teacher, curriculum writer, video producer, and national PBL coach. Her commitment to supporting PBL as a vehicle to equitable teaching and learning practices is paramount in her professional experience.
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